From November 2011 through July 2012 I wrote the "Past Pieces of Toronto" column for OpenFile, which explored elements of the city which no longer exist. The following was originally posted on January 15, 2012.
A scene from an evening at Palace Pier: during a dance sponsored by the Arthur Murray Dance Studio
in January 1951, participants were officially greeted by Toronto
Controller John Innes. As his speech neared its end, he noted that it
would be nice if everyone in the hall knew how to do an old-fashioned
waltz.
“Having said his piece,” reported the Star’s Alex Barris,
“Controller Innes was leaving the stage when the band started playing—a
waltz.” Innes grabbed Lisa Derny, an Arthur Murray employee who had
introduced him to the audience earlier in the evening, “waltzed her
around a couple of times, planted a kiss on her cheek and strutted off.”
That anyone ever received a kiss at Palace Pier was a minor miracle
given the venue’s checkered history. When the Provincial Improvement
Corporation received the go-ahead from the Toronto Harbour Commission in
July 1927 to build an entertainment complex stretching nearly 1,800
feet into Lake Ontario, it had grandiose visions. Had the original plan
gone ahead, Palace Pier would have included a ballroom to hold 3,000
dancing couples; a “palace of fun” containing bowling and skating
facilities; a bandstand with a capacity of up to 3,000; a 1,500 seat
theatre; covered walkways and a steamship dock. Fundraising went slowly,
and it wasn’t until January 1931 that the cornerstone of the first
phase was laid. The ballroom was as far as building went, and it stood
vacant for nearly a decade. The developers periodically promised to
complete the site, but lawsuits and failure to pay mortgage and taxes
led to foreclosure by 1940. As one shareholder remarked, the site was
“that white elephant at the mouth of the Humber.”
The following year, the unexpected happened: Palace Pier opened as a
roller rink. For the grand opening celebration in June 1941, comedian
Bob Hope was brought in to raise money for the Red Cross British Bomb
Victims’ Fund. Hope told jokes for 15 minutes about his movie co-stars
then signed autographs for an hour. “Bob made it a lark instead of a
job” reported the Star. “He joked with the crowd, sang at the top
of his voice when the mood struck him, or dazzled some sweet young
thing with a look.”
During the mid-1940s, Palace Pier was one of the city’s premier big
band venues. Among the bandleaders who played there were Count Basie,
Tommy Dorsey, Duke Ellington, Lionel Hampton, Harry James and Stan
Kenton. When bookings dried up in the 1950s, the site was used for
private functions, political rallies and boxing matches.
The end of Palace Pier came swiftly. Flames rising 200 feet in the
air during the early morning hours of January 7, 1963 were visible
across the lake in Buffalo, where local media called the Etobicoke fire
department to verify the blaze. By the time it was extinguished, only
the stone façade and side walls remained. After the debris was cleared
away, the site sat vacant for a decade as redevelopment plans came and
went until one of Metro Toronto’s first waterfront condo communities
bearing the star-crossed name opened in 1976.
Additional material from the June 26, 1941 and January 5, 1951 editions of the Toronto Star. Image: Palace Pier under construction, July 29, 1931. City of Toronto Archives, Fonds 200, Series 372, Subseries 34, Item 70.

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