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introducing apparel arts, 1931

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Was the holiday season of 1931 a good moment to launch a pricey magazine for the men's fashion trade? The backers of Apparel Arts felt so.  "We prefer not to brag about the expensive character of Apparel Arts ," editor Arnold Gingrich noted in the magazine's debut editorial. "You all know, by now, what a photograph costs. You can guess, when it comes to drawings, paintings and sculpture. The Depression still being officially on, we're rather ashamed to admit payment to the piper. To dwell on this aspect of Apparel Arts , quite apart from considerations of modesty, would be, it seems to us, to elucidate the obvious." Apparel Arts was distributed to clothing salesmen, and included swatches attached to pages that could be shown to clients. "Our only hope," Gingrich declared," is that each issue may contain some one page, at least, that you may find it impossible to ignore, or to forget." The magazine's mission would be "to fi...

bonus features: making and remaking hazelton lanes

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This post offers supplementary material for a Torontoist post I recently wrote , which you should dive into before reading any further. Source: the Toronto Star , April 5, 1973. It was nice for a change to read about a development project where the nearby residents weren't convinced the sky was going to fall. Unless there's a secret back story missing from both the media coverage and the personal correspondences I leafed through while researching this article, it sounds like the developer did everything right to reassure the community that all would be well.  Besides the Avenue-Bay-Cottingham Ratepayers' Association, the neighbouring Annex Ratepayers' Association (ARA) was consulted. In a letter to alderman Ying Hope, an ARA representative wanted to "commend the process of community association consultation in the development of the project."  Not that there weren't opponents. In a letter to the city clerk, Hazelton Avenue apartment building owne...