JB's Warehouse & Curio Emporium

From November 2011 through July 2012 I wrote the "Past Pieces of Toronto" column for OpenFile , which explored elements of the city which no longer exist. I've republished all but two of those pieces on this website.  Here's the first of the final pair, both of which provided good lessons for future writing. Prepare yourself for a lengthy preamble.

Sifting through files on one of my 7,853 USB keys, I found a folder of material I'd copied from City Lights , a short-lived (1934-35) Toronto magazine from the mid-1930s. Its content fell somewhere between the New Yorker and a Depression-era Toronto Life . City Lights is also one of those subjects that is perennially on my Historicist back burner - someday a profile will see the light of day, once I can find any information about its brief existence.

Last night I went to Second City for the first time in ages. Little did I know the comedy wouldn't stop when I got home. The interwebs were abuzz with news of  2010 Toronto mayoral candidate Sarah Thomson jumping into this year's race. Said candidate decided to launch their campaign with a lengthy poem which provoked waves of derision, because that's what you automatically do when you have a platform which allows only 140 characters at a time (though in this case, it is a train wreck of verse). In my fatigued state, the following thought sprang into my head: The only offhand example I thought of was a piece of doggerel I encountered while researching the incorporation of Toronto in 1834 . Technically, William Lyon Mackenzie wasn't running for mayor when the following piece was written - the position didn't exist yet - but he'd be named our city's first chief exec soon enough. Context: Mackenzie, along with some other Reformers, opposed Upper Can

Source: the Toronto Star , April 13, 1964. To mark Oscar night, we're heading back 50 years to check the reaction from Toronto's TV critics regarding the 36th annual Academy Awards ceremony on April 13, 1964. Among the milestones that night were the first black performer to win Best Actor (Sidney Poitier in Lilies of the Field ) and the first film to place three nominees in the Best Supporting Actress category (Diane Cilento, Edith Evans, and Joyce Redman in Tom Jones, all of whom lost to Margaret Rutherford from The V.I.P.s ).